The Memphis-born guitarist spearheaded a revitalization of the blues with rock swagger. He was a child prodigy at the age of 16 when he released his debut, The Eric Gales Band on Elektra Records. After recording a second album for Elektra, he and his three brothers teamed up for The Gales Bros Left Hand Brand, recorded for the House Of Blues label in 1996. More acclaimed releases followed and in 2017 Eric signed with Mascot Label Group, releasing two albums, Middle of the Road (2018), and The Bookends (2019) and Crown (2022), produced by Joe Bonamassa. Eric Gales is known as both an African-American left-handed guitarist of extraordinary ability and an expressive vocalist. He has solidified his place among the top greatest guitarists in the world.
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ALICIA KEYS: This album is just the best album I've ever made so far because it just is...I've just been able to peel back my own layers and start to understand a little bit more of who I am and who am I in the world.
Within one five-month span during 2004, Devendra Banhart-- a hirsute, multilingual, 23-year-old enigma with a wanderer's tale to tell and a sprawling, intriguing debut to his name-- released two 16-song albums: the near-flawless Rejoicing in the Hands and its less cohesive though memorable follow-up, Niño Rojo. He sang about human fragility and little yellow spiders, about old folk songs and with old folk singers, about the beauty of beards and the wealth of the world. With a versatile warble and a graceful touch to the guitar, Banhart seemed slightly manic yet strangely endearing, the rare eccentric who could turn the lightest of larks into irresistible bits of tunes. That winter, the magazine Harp likened him to Van Morrison, John Lennon, and Jeff Buckley, saying he possessed "a deeper connection to the cosmos than most of us share." By year's end, Banhart had emerged as the preeminent songwriter and personality of what was generally dubbed New Weird America, or freak-folk. He was bound, it seemed, for some bigger glory.
As It All Began: The Best of John Mayall & the Bluesbreakers 1964-1968 is an excellent 20-track retrospective, capturing Mayall's band at their peak. The Bluesbreakers went through several different lineups during those four years, with musicians the caliber of Eric Clapton, Mick Taylor, Paul Butterfield, Mick Fleetwood, John McVie, and Peter Green floating through the group. Hardcore fans of any of those musicians, or of British blues, will naturally want to familiarize themselves with the original albums, but As It All Began is a fine sampler for the casual fan, featuring such staples as "Lonely Years," "Bernard Jenkins," "All Your Love," "Parchman Farm," "Double Trouble," "The Death of J.B. Lenoir," and "Miss James." Even at 20 tracks, there are a number of fine moments missing from this collection, but As It All Began remains the best available single-disc overview of the Bluesbreakers' prime period.
The partnership of Mike Post and Pete Carpenter dominated television theme music for many years. Their first major success was their theme for The Rockford Files starring James Garner as the private detective Jim Rockford, in a modernised version of his earlier series Maverick. The theme was upbeat with a quirky and distinctive ound including harmonic and electric guitar. The Rockford Files theme tune became very popular and won the pair a number of awards, and they went on to achieve similar successes with The A-Team, Magnum PI and many more. Post's involvement in film music has been less significant than his work for television, but he has scored several films starting with TV Movie "Gidget Gets Married". One of his films "Rhinestone" starred Dolly Parton and he had previously produced the singer's album "9 to 5 and Other Jobs". But it is the TV themes that have had the biggest impact, and several of his TV Themes have done well in the popular charts. Many of his most famous TV Series seem to be Crime Dramas - from private detectives and police series through to courtroom dramas, including Hill Street Blues, L.A. Law, Murder One, NYPD Blue and the more recent Law & Order.
Atmospheric, technical drum 'n' bass from Photek's revered debut album. While the genre might now favour noisier, distorted basslines, this track features a more authentic double bass sound, giving the bassline real texture and subtlety.
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day since 2018). The 4000-plus interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He regularly hosts lecture/discussions on artists and albums of historical importance (including monthly events Music to Your Ears and Music Movie Mondays), and is a frequent guest on music-focused radio programs and podcasts. In Spring 2023 he is co-teaching a history of Rock 'n' Roll at UNC Asheville's College for Seniors. He also researches and authors liner notes for album reissues -- more than 30 to date -- and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon was published by Rowman & Littlefield in 2018, and in paperback in 2019. His second book, Disturbing the Peace: 415 Records and the Rise of New Wave, is available now from HoZac Books. Read even more about him here. 2ff7e9595c
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